Future Now Summit Webinar 2 - Use Your Voice

Quiz for 1.25 PDH (LA CES/HSW)

Thank you for viewing "Use Your Voice", the second webinar in the Landscape Architecture Foundation's Future Now: Webcast/Discussion Series.

In order to receive 1.25 Professional Development Hours (PDH) through the Landscape Architecture Continuing Education System (LA CES), please complete the following quiz and score 75% or higher. Those who do not achieve the required score may re-take using the same link. Within two weeks of passing the quiz, you will receive an automated notification from LA CES that your PDH has been registered and your certificate is ready for download via the LA CES system.

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Question Title

* 1. According to Kendra Hyson, what common pattern links the routing of mid-20th-century highways and the siting of modern data centers?

A. Both were/are touted to benefit communities by stimulating economic growth through job creation and new investment.

B. Both were/are often placed in communities with less political power and lower expected resistance.

C. Both had/have a long planning horizon with numerous opportunities for community input.

D. Both were/are typically sited based on technical considerations, independent of social or political factors.

Question Title

* 2. How does Kendra use Ward 7 in Washington, DC, to illustrate a broader issue?

A. It demonstrates how urban farming has eliminated food insecurity.

B. It is an example of a heavily industrial area with little greenery inequitably burdened by summer heat.

C. It shows that chronic disinvestment leads to a feeling of hopelessness.

D. It highlights how a community can have assets such as urban farms yet its residents still face barriers to access created by infrastructure and planning decisions.

Question Title

* 3. What is the central idea behind Kendra's proposed model of "civic metabolic infrastructure"?

A. Infrastructure projects should prioritize the fastest possible deployment of new technology.

B. Affected communities should receive workforce training when infrastructure is in the planning stage so that local residents can obtain jobs in construction and ongoing operation.

C. Infrastructure should be designed to create reciprocal benefits, local ownership, and regenerative relationships with communities and ecosystems.

D. Communities that bear the burden of infrastructure siting decisions should be financially compensated both before and after the project is built.

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* 4. What was distinctive about the "Rising Emotions" project that Carolina Aragon describes?

A. It visualized both projected flooding and community members' emotional responses to climate risks.

B. It was a partnership with the City of Boston to identify which neighborhoods should be prioritized to receive adaptation funding.

C. It measured actual flood levels during storms and displayed the data in real time to encourage residents to relocate from vulnerable neighborhoods.

D. It was a novel and replicable way to evaluate public support for specific adaptation projects.

Question Title

* 5. How did Carolina describe the role artists have come to play in climate adaptation efforts?

A. Artists are now key members on the teams selected to plan and design adaptation infrastructure.

B. Artists can help attract private investment for infrastructure projects that wouldn’t be viable with public funding alone.

C. Artists increasingly serve as a substitute for traditional public outreach and community engagement on specific adaptation projects.

D. Artists have become witnesses to the changes communities are experiencing as they adapt to climate impacts.

Question Title

* 6. In Evan Mather's comparison between a camera and landscape design, what does the "lens" represent?

A. The design concept or story being told

B. The framing or composition of people's experience

C. The way visitors move through a site

D. The baseline used to measure environmental change

Question Title

* 7. Why did Evan decide to compress hours or days of driving footage into short films?

A. To document highway infrastructure in and between cities across the United States

B. To demonstrate new filmmaking techniques for landscape architects

C. To reveal large-scale landscape patterns and environmental transitions that are difficult to notice in real time

D. To compare how different camera systems perform over long distances

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* 8. Which of the following is NOT one of the benefits of cinematic thinking in landscape design that Evan describes?

A. It makes landscapes time-based rather than static.

B. It makes landscapes experiential rather than diagrammatic.

C. It makes landscapes emotional rather than merely informational.

D. It makes landscapes participatory rather than passive.

Question Title

* 9. According to Taewook Cha, how did his focus as a landscape architect change over the course of his career?

A. From private residential design to large-scale public projects

B. From international practice to a regionally-focused practice based in the Northeast U.S.

C. From monumentality, innovation, and power to how people actually use and experience spaces

D. From community-engaged design to technology-driven design

Question Title

* 10. What surprised Taewook most after the opening of the park-like space in LaGuardia Airport Terminal B?

A. The Central Park-inspired design became an internationally known attraction.

B. People filled the space with everyday activities that made it feel like a New York City pocket park.

C. Visitors were most drawn to the park's iconic rock outcrops, which evoked the grandeur of Central Park.

D. Passengers used the space primarily as a shortcut between terminals.

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