Mon-0900-0930 Applying Machine Learning-Based Algorithms to Post Production Workflows
|
|
|
|
|
|
Mon-0900-1030 Maximizing Your Career and Its Potential
|
|
|
|
|
|
Mon-0930-1000 Rotoscope Automation with Deep Learning (Recipient of the 2019 Student Paper Award)
|
|
|
|
|
|
Mon-1000-1030 How AI Technology is Dramatically Improving Video Compression for Broadcast and OTT Content Delivery
|
|
|
|
|
|
Mon-1100-1230 Intro to AWS Media Services for Live & VOD Streaming
|
|
|
|
|
|
Mon-1100-1130 Creating Bandwidth-Efficient Workflows with JPEG XS and SMPTE ST 2110
|
|
|
|
|
|
Mon-1130-1200 Speed-Distortion Optimization: Tradeoffs in Open Source HEVC Encoding
|
|
|
|
|
|
Mon-1200-1230 MPEG-5 EVC
|
|
|
|
|
|
Mon-1345-1400 Moving Expectations Forward: A Story by Jeffrey Shapiro
|
|
|
|
|
|
Mon-1400-1415 How millennials grow in the Media Industry: A Story by Yvonne Thomas
|
|
|
|
|
|
Mon-1430-1600 The Creative Process of Designing Today’s Movie Soundtracks - Produced by AES
|
|
|
|
|
|
Mon-1430-1700 AWS Enhancing Media Workflows with Machine Learning
|
|
|
|
|
|
Mon-1630-1730 The Nuts and Bolts of Designing and Installing a Cinema/Dubbing Stage Sound System for Today’s Soundtracks - Produced by AES
|
|
|
|
|
|
Tues-0830-0900 Annual Membership Meeting
|
|
|
|
|
|
Tue-0900-1030 Tuesday Technical Session Primers
|
|
|
|
|
|
Tue-0900-0930 Strategies for Securing SMPTE ST 2059-2 PTP Networks
|
|
|
|
|
|
Tue-0930-1000 Large Scale Deployment of SMPTE ST 2110: The IP Live Production Facility
|
|
|
|
|
|
Tue-1000-1030 GPIO Over IP – AMWA IS-07 as a General-Purpose API that easily scales
|
|
|
|
|
|
Tue-1110-1200 Keynote: Charting the Course to the Future: MovieLabs’ Vision for Navigating the Next 10 Years of Content Creation
|
|
|
|
|
|
Tue-1330-1345 Tales from the Dark Side: A Story by Paul Briscoe
|
|
|
|
|
|
Tue-1345-1400 Influence: A Story by Christopher Witmayer
|
|
|
|
|
|
Tue-1400-1430 How Will We Archive and Preserve the Movies of Tomorrow ?
|
|
|
|
|
|
Tue-1400-1430 Wide Area Facilities Interconnect with SMPTE ST 2110
|
|
|
|
|
|
Tue-1430-1500 Brightness in Cinema: When is it Too Bright?
|
|
|
|
|
|
Tue-1430-1500 How we Tested the Media over IP Devices to Build our New Facility
|
|
|
|
|
|
Tue-1500-1530 Uniformity Measurement for French Cinema
|
|
|
|
|
|
Tue-1500-1530 How to Successfully Commission a SMPTE ST 2059/PTP System
|
|
|
|
|
|
Tue-1600-1630 How Cloud Technology is Changing the Live Transcoding Landscape
|
|
|
|
|
|
Tue-1600-1630 Ambidio: An Introduction to Immersive Stereo, Workflow, and Evaluation
|
|
|
|
|
|
Tue-1630-1700 “Using Infrastructure-As-Code and the Public Cloud to Power On-air Media Creation Platforms”
|
|
|
|
|
|
Tue-1630-1700 A New Signal for Measuring Loudspeaker Maximum Linear SPL
|
|
|
|
|
|
Tue-1700-1730 Live Cloud Ingest Using an Open Approach to RIST, SRT and Retransmission Protocols
|
|
|
|
|
|
Tue-1700-1730 Solid Cinema Screens with Front Sound: Do They Work?
|
|
|
|
|
|
Wed-0900-1030 Wednesday Technical Session Primers
|
|
|
|
|
|
Wed-0900-0930 Security for Discovery and Connection Management of SMPTE ST 2110 Media Devices
|
|
|
|
|
|
Wed-0930-1000 A Practical Guide to Securing SMPTE ST 2110 Systems
|
|
|
|
|
|
Wed-1000-1030 Securing Distributed Content Creation Workflows
|
|
|
|
|
|
Wed-1100-1130 8K Camera Recorder using Organic-photoconductive CMOS Image Sensor and High-quality Codec
|
|
|
|
|
|
Wed-1100-1130 How Can OTT Services Match the Quality of Broadcast?
|
|
|
|
|
|
Wed-1130-1200 1.25-inch 3-CMOS multi-functional high-speed 8K camera system
|
|
|
|
|
|
Wed-1130-1200 IP Network Based Delivery of Coordinated Universal Time for ATSC 3.0 Single Frequency Networks
|
|
|
|
|
|
Wed-1200-1230 Development of New 4K/8K UHDTV Satellite Broadcasting System in Japan
|
|
|
|
|
|
Wed-1200-1230 Broadcast Gateway, Heart of ATSC 3.0 Delivery Network
|
|
|
|
|
|
Wed-13:45-14:00 A Story by Annie Chang
|
|
|
|
|
|
Wed-1400-1415 CODE: Rosie: Using Disney Magic to Increase Gender Diversity in Tech: A Story by Kelly White
|
|
|
|
|
|
Wed-1430-1500 HDR and WCG Image Quality Assessment Using Color Difference Metrics
|
|
|
|
|
|
Wed-1430-1500 Data in DNA: The Arrival of DNA-Based Data Storage and Computing
|
|
|
|
|
|
Wed-1500-1530 An Investigation of Creative Power and the Value Wide Color Gamut Brings to Motion Picture Mastering
|
|
|
|
|
|
Wed-1500-1530 Automated VFX Pipeline for the Purpose of Servicing the Creation of Downstream Masters
|
|
|
|
|
|
Wed-1530-1600 Film Grain and Film Scanner Noise in HDR Video
|
|
|
|
|
|
Wed-1530-1600 A novel method for the simultaneous creation of live, HDR and SDR video.
|
|
|
|
|
|
Wed-1630-1700 Metamerism, Color Ellipses and Color Errors
|
|
|
|
|
|
Wed-1630-1700 Auxiliary Video Track in IMF
|
|
|
|
|
|
Wed-1700-1730 ΔEITP is Now ITU-R BT.2124--Is the Industry Ready to Move on From ΔE2000?
|
|
|
|
|
|
Wed-1700-1730 Engagement with the Next-Gen: SMPTE’s Role in K-12, Higher Education, and Other Institutions
|
|
|
|
|
|
Thu-0900-0945 Been There and Made That: An Intimate Conversation with Todd Douglas Miller and Col. Terry Virts
|
|
|
|
|
|
Thu-0945-1030 Apollo 11 - Restoring a Masterpiece
|
|
|
|
|
|
Thu-1100-1200 Mission Critical: Project Artemis, Imaging from the Moon and Deep Space
|
|
|
|
|
|
Thu-1330-1345 A Story by Rendard Jenkins
|
|
|
|
|
|
Thu-1345-1400 A Story by Charlie Jablonski
|
|
|
|
|
|
Thu-1400-1445 Beam Me Down Scotty: Using the Cloud for Live Streaming from Space
|
|
|
|
|
|
Thu-1500-1600 The Magic of the Award Winning “First Man”: How a Realistic 1960’s Apollo 11 Space Experience Was Created on Earth 50 Years Later
|
|
|
|
|
|