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* 1. How did you hear or learn about SMPTE 2019 conference?

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* 2. Do you recall which of these prompted you to register?

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* 3. What was your primary goal in attending this conference?

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* 4. How satisfied were you with the event?

  Very satisfied Somewhat satisfied Not entirely satisfied Not satisfied at all
Ease of registration
Venue
Conference content / topics
Networking opportunities
Exhibits
Speakers
Food and beverage
Time given to Q&A
Overall conference experience

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* 5. How satisfied were you with the technical sessions? Please answer only for the sessions you have attended.

  Very satisfied Somewhat satisfied Not entirely satisfied Not satisfied at all I did not attend it
Mon-0900-0930 Applying Machine Learning-Based Algorithms to Post Production Workflows
Mon-0900-1030 Maximizing Your Career and Its Potential
Mon-0930-1000 Rotoscope Automation with Deep Learning (Recipient of the 2019 Student Paper Award)
Mon-1000-1030 How AI Technology is Dramatically Improving Video Compression for Broadcast and OTT Content Delivery
Mon-1100-1230 Intro to AWS Media Services for Live & VOD Streaming
Mon-1100-1130 Creating Bandwidth-Efficient Workflows with JPEG XS and SMPTE ST 2110
Mon-1130-1200 Speed-Distortion Optimization: Tradeoffs in Open Source HEVC Encoding
Mon-1200-1230 MPEG-5 EVC
Mon-1345-1400 Moving Expectations Forward: A Story by Jeffrey Shapiro
Mon-1400-1415 How millennials grow in the Media Industry: A Story by Yvonne Thomas
Mon-1430-1600 The Creative Process of Designing Today’s Movie Soundtracks - Produced by AES
Mon-1430-1700 AWS Enhancing Media Workflows with Machine Learning
Mon-1630-1730 The Nuts and Bolts of Designing and Installing a Cinema/Dubbing Stage Sound System for Today’s Soundtracks - Produced by AES
Tues-0830-0900 Annual Membership Meeting
Tue-0900-1030 Tuesday Technical Session Primers
Tue-0900-0930 Strategies for Securing SMPTE ST 2059-2 PTP Networks
Tue-0930-1000 Large Scale Deployment of SMPTE ST 2110: The IP Live Production Facility
Tue-1000-1030 GPIO Over IP – AMWA IS-07 as a General-Purpose API that easily scales
Tue-1110-1200 Keynote: Charting the Course to the Future: MovieLabs’ Vision for Navigating the Next 10 Years of Content Creation
Tue-1330-1345 Tales from the Dark Side: A Story by Paul Briscoe
Tue-1345-1400 Influence: A Story by Christopher Witmayer
Tue-1400-1430 How Will We Archive and Preserve the Movies of Tomorrow ?
Tue-1400-1430 Wide Area Facilities Interconnect with SMPTE ST 2110
Tue-1430-1500 Brightness in Cinema: When is it Too Bright?
Tue-1430-1500 How we Tested the Media over IP Devices to Build our New Facility
Tue-1500-1530 Uniformity Measurement for French Cinema
Tue-1500-1530 How to Successfully Commission a SMPTE ST 2059/PTP System
Tue-1600-1630 How Cloud Technology is Changing the Live Transcoding Landscape
Tue-1600-1630 Ambidio: An Introduction to Immersive Stereo, Workflow, and Evaluation
Tue-1630-1700 “Using Infrastructure-As-Code and the Public Cloud to Power On-air Media Creation Platforms”
Tue-1630-1700 A New Signal for Measuring Loudspeaker Maximum Linear SPL
Tue-1700-1730 Live Cloud Ingest Using an Open Approach to RIST, SRT and Retransmission Protocols
Tue-1700-1730 Solid Cinema Screens with Front Sound: Do They Work?
Wed-0900-1030 Wednesday Technical Session Primers
Wed-0900-0930 Security for Discovery and Connection Management of SMPTE ST 2110 Media Devices
Wed-0930-1000 A Practical Guide to Securing SMPTE ST 2110 Systems
Wed-1000-1030 Securing Distributed Content Creation Workflows
Wed-1100-1130 8K Camera Recorder using Organic-photoconductive CMOS Image Sensor and High-quality Codec
Wed-1100-1130 How Can OTT Services Match the Quality of Broadcast?
Wed-1130-1200 1.25-inch 3-CMOS multi-functional high-speed 8K camera system
Wed-1130-1200 IP Network Based Delivery of Coordinated Universal Time for ATSC 3.0 Single Frequency Networks
Wed-1200-1230 Development of New 4K/8K UHDTV Satellite Broadcasting System in Japan
Wed-1200-1230 Broadcast Gateway, Heart of ATSC 3.0 Delivery Network
Wed-13:45-14:00 A Story by Annie Chang
Wed-1400-1415 CODE: Rosie: Using Disney Magic to Increase Gender Diversity in Tech: A Story by Kelly White
Wed-1430-1500 HDR and WCG Image Quality Assessment Using Color Difference Metrics
Wed-1430-1500 Data in DNA: The Arrival of DNA-Based Data Storage and Computing
Wed-1500-1530 An Investigation of Creative Power and the Value Wide Color Gamut Brings to Motion Picture Mastering
Wed-1500-1530 Automated VFX Pipeline for the Purpose of Servicing the Creation of Downstream Masters
Wed-1530-1600 Film Grain and Film Scanner Noise in HDR Video
Wed-1530-1600 A novel method for the simultaneous creation of live, HDR and SDR video.
Wed-1630-1700 Metamerism, Color Ellipses and Color Errors
Wed-1630-1700 Auxiliary Video Track in IMF
Wed-1700-1730 ΔEITP is Now ITU-R BT.2124--Is the Industry Ready to Move on From ΔE2000?
Wed-1700-1730 Engagement with the Next-Gen: SMPTE’s Role in K-12, Higher Education, and Other Institutions
Thu-0900-0945 Been There and Made That: An Intimate Conversation with Todd Douglas Miller and Col. Terry Virts
Thu-0945-1030 Apollo 11 - Restoring a Masterpiece
Thu-1100-1200 Mission Critical: Project Artemis, Imaging from the Moon and Deep Space
Thu-1330-1345 A Story by Rendard Jenkins
Thu-1345-1400 A Story by Charlie Jablonski
Thu-1400-1445 Beam Me Down Scotty: Using the Cloud for Live Streaming from Space
Thu-1500-1600 The Magic of the Award Winning “First Man”: How a Realistic 1960’s Apollo 11 Space Experience Was Created on Earth 50 Years Later

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* 6. Which session from the program was most valuable for you and why?

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* 7. Which session from the program was least valuable for you and why?

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* 8. Please share your experience with the newly-added programs at the conference:

  Very Satisfied Somewhat Satisfied Somewhat Dissatisfied Very Dissatisfied I did not attend it
Early Career Track
SMPTE Storytellers
Thursday's "Imaging Among the Stars" program

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* 9. What did you like most about the entire event?

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* 10. What did you like least about the event?

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* 11. What was SMPTE 2019 lacking?

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* 12. How likely are you to attend one of our events in the future?

0 I will attend 10
i We adjusted the number you entered based on the slider’s scale.

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* 13. How likely are you to recommend our events to a friend?

0 I will recommend friends to attend  SMPTE 2020 10
i We adjusted the number you entered based on the slider’s scale.

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* 14. How can we improve SMPTE 2020?

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* 15. How did you feel about social digital ads (Facebook, Instagram, Google) that you may have seen promoting SMPTE 2019?

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* 16. Which location would you suggest for our future annual conferences?

T