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TKTS Show (MAYBE HAPPY ENDING)
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1.
Name
(Required.)
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2.
Date
(Required.)
Date / Time
Date
January
February
March
April
May
June
July
August
September
October
November
December
1900
1901
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1904
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1910
1911
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1914
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1916
Su
Sunday
Mo
Monday
Tu
Tuesday
We
Wednesday
Th
Thursday
Fr
Friday
Sa
Saturday
01
02
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3.
Show Time (Select All That Apply)
(Required.)
Matinee
Evening
Matinee (Next Day)
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4.
What age range was most interested in your show?
(Required.)
Under 18
18 to 24
25-34
35-49
50-64
65 and older
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5.
What party size was most interested in your show?
(Required.)
Families
Couples
Individuals
Groups
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6.
Which groups of patrons were most receptive to your show? (Please select 2)
(Required.)
New York locals.
Domestic tourists.
International tourists.
Students.
Families.
Avid theatergoers.
Broadway newcomers.
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7.
What positive selling points resonated with patrons the most? (Please select 2)
(Required.)
The show's critical acclaim.
Zachary Noah Piser's star power resonated with patrons.
The show's price point.
Audience word-of-mouth.
The show's subject matter.
The show being a comedy.
The show's romantic story.
The show's technical elements and set design.
The show's journey to Broadway and award-winning past productions.
The show's flyer.
Other (please specify)
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8.
What difficulties did you face while promoting your show? (Please select 2)
(Required.)
The genre of the show was a hesitation.
Some patrons were unaware of the show.
Some patrons had already seen the show.
Some patrons were drawn to musicals with larger ensembles.
Some patrons were drawn to musicals they were already familiar with.
Other (please specify)
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9.
Please elaborate on any trends of difficulty you listed/feedback about any hurdles you faced pitching the show.
(Required.)
10.
Main Competitors (1-2 Shows): please list the most popular show at the booth that particular day as well as any other competitors.
Aladdin
Buena Vista Social Club
Chicago
Drunk Shakespeare
Harry Potter and the Cursed Child
Just In Time
Little Shop of Horrors
MJ The Musical
Other Desert
Operation Mincemeat
Ragtime
Proof
Schmigadoon
Six
School Girls
Stranger Things: The First Shadow
The Great Gatsby
The Outsiders
The Imaginary Invalid
The Play That Goes Wrong
The Rocky Horror Picture Show
Two Strangers...
Other (please specify)
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11.
Give us a specific example of how you sold your show today. (Please use details in regard to WHO you spoke to, HOW you sold the show, and how the interaction ended)
(Required.)
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12.
Give us another specific example of how you sold your show.
(Required.)
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13.
Since this is a newer production/client, we would love to know any constructive feedback you have regarding marketing, price point of tickets, receptive demographics, etc.
(Required.)
14.
Other notes: