Where do you work? (institution size, region, size of the city?) (check all that apply)

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* 1. Where do you work? (institution size, region, size of the city?) (check all that apply)

What is your career point?

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* 2. What is your career point?

Is your museum director an effective advocate for your vision when it touches upon controversial material? (If you are a museum director yourself, please self-evaluate.)

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* 3. Is your museum director an effective advocate for your vision when it touches upon controversial material? (If you are a museum director yourself, please self-evaluate.)

Have administrators/ development/ P.R. /trustees /other put pressure on you to modify or cancel an artwork or exhibition because of content /subject-matter /personal issues regarding the artist or speaker? If so, who? (check all that apply)

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* 4. Have administrators/ development/ P.R. /trustees /other put pressure on you to modify or cancel an artwork or exhibition because of content /subject-matter /personal issues regarding the artist or speaker? If so, who? (check all that apply)

What was the justification? (check all that apply)

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* 5. What was the justification? (check all that apply)

Have you modified exhibition labels or other materials framing the show due to controversial subject-matter? If yes, was it due to external pressure or was it your decision?

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* 6. Have you modified exhibition labels or other materials framing the show due to controversial subject-matter? If yes, was it due to external pressure or was it your decision?

Have you modified an exhibition in terms of arrangement or added labels because of the presence of children?

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* 7. Have you modified an exhibition in terms of arrangement or added labels because of the presence of children?

In your experience, what kind of subject matter draws the most controversy? (choose up to three)

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* 8. In your experience, what kind of subject matter draws the most controversy? (choose up to three)

Have you personally avoided presenting an artist /artwork /event /speaker because of because of controversy around them and/or perceived difficulty /sensitivity of subject-matter /political positioning?

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* 9. Have you personally avoided presenting an artist /artwork /event /speaker because of because of controversy around them and/or perceived difficulty /sensitivity of subject-matter /political positioning?

Is there any particular subject matter that you, personally, would not even consider exhibiting? (If yes, please specify)

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* 10. Is there any particular subject matter that you, personally, would not even consider exhibiting? (If yes, please specify)

Whom do you have in mind when assessing potential controversy?

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* 11. Whom do you have in mind when assessing potential controversy?

What advice can you offer to other curators working with potentially controversial or difficult subject matter?

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* 12. What advice can you offer to other curators working with potentially controversial or difficult subject matter?

To receive a link to 'Smart Tactics: Curating Difficult Content (Report & Handbook)', please leave your email address below, along with your name, position and affiliation. Please indicate if you wish to remain anonymous in our final report.

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* 13. To receive a link to 'Smart Tactics: Curating Difficult Content (Report & Handbook)', please leave your email address below, along with your name, position and affiliation. Please indicate if you wish to remain anonymous in our final report.

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