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* 1. What is your experience with coordinating RF equipment and spectrum bands utilized at large productions outside of wireless microphones (and similar type equipment) and the core TV & STL bands? (Examples: RF cameras in federal bands; Land Mobile Radio used for high power PLs and IFBs as well as convention PTT operations; wireless microphones operating in non-traditional bands under STA; coordination of unlicensed spectrum.)

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* 2. How far in advance of load in (ESU) do you attempt to discuss equipment and frequency bands with stakeholders?

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* 3. Do you discuss and establish an overall policy with the event organizer/producer about who is/is not permitted to use wireless, and by extension who has priority if/when any given band of spectrum becomes too congested to add more channels?

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* 4. What obstacles with event management have you encountered when encouraging the use of wired equipment for certain users?

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* 5. When do you create a band plan for the event, is it generally the same for all events or will it vary once equipment needs are better understood?

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* 6. Have you ever encountered a user of spectrum on-site using an entire channel when less is required? Do you have suggestions as to how to avoid this inefficient practice?

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* 7. Do any of your answers change regarding the nature of the event (indoor v. outdoor, prevalence of other media, size of venue, planned v. spontaneous, etc.)?

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* 8. How do you respond to poor advanced planning and/or communications by a spectrum user?

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* 9. Do you use any sort of pre-event frequency coordination request process (web portal, emailed template, etc.)?

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* 10. What additional planning considerations would you suggest, that haven't been already covered by this survey?

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