Funny Pages Proof-of-Concept Survey

1. Please provide basic information: name, job title, organisation, email, tel (note: we would never pass on your personal data or spam you):

Please provide basic information: name, job title, organisation, email, tel (note: we would never pass on your personal data or spam you):

2. How would you rate the importance of the following issues facing CREATORS of engaging content (eg. political cartoons, comic strips, and puzzles) (please rank in order of importance)?

	Huge	Considerable	Minor	Negligible	N/A
Distribution	*How would you rate the importance of the following issues facing CREATORS of engaging content (eg. political cartoons, comic strips, and puzzles) (please rank in order of importance)? Distribution Huge	Distribution Considerable	Distribution Minor	Distribution Negligible	Distribution N/A
High sales commission percentages	High sales commission percentages Huge	High sales commission percentages Considerable	High sales commission percentages Minor	High sales commission percentages Negligible	High sales commission percentages N/A
Low content purchase/commission fees	Low content purchase/commission fees Huge	Low content purchase/commission fees Considerable	Low content purchase/commission fees Minor	Low content purchase/commission fees Negligible	Low content purchase/commission fees N/A
Free/low cost online content	Free/low cost online content Huge	Free/low cost online content Considerable	Free/low cost online content Minor	Free/low cost online content Negligible	Free/low cost online content N/A
Competing/differentiating in a saturated market	Competing/differentiating in a saturated market Huge	Competing/differentiating in a saturated market Considerable	Competing/differentiating in a saturated market Minor	Competing/differentiating in a saturated market Negligible	Competing/differentiating in a saturated market N/A
Self-publishing	Self-publishing Huge	Self-publishing Considerable	Self-publishing Minor	Self-publishing Negligible	Self-publishing N/A

Any other issues (please specify)?

3. How would you rate the importance of the following issues facing PRINT MEDIA ORGANISATIONS, in moving online (please rank in order of importance)?

	Huge	Considerable	Minor	Negligible	N/A
Free/low cost online content	*How would you rate the importance of the following issues facing PRINT MEDIA ORGANISATIONS, in moving online (please rank in order of importance)? Free/low cost online content Huge	Free/low cost online content Considerable	Free/low cost online content Minor	Free/low cost online content Negligible	Free/low cost online content N/A
Competing/differentiating in a saturated market	Competing/differentiating in a saturated market Huge	Competing/differentiating in a saturated market Considerable	Competing/differentiating in a saturated market Minor	Competing/differentiating in a saturated market Negligible	Competing/differentiating in a saturated market N/A
Audience/media fragmentation	Audience/media fragmentation Huge	Audience/media fragmentation Considerable	Audience/media fragmentation Minor	Audience/media fragmentation Negligible	Audience/media fragmentation N/A
Audience retention	Audience retention Huge	Audience retention Considerable	Audience retention Minor	Audience retention Negligible	Audience retention N/A
Generating ad revenue	Generating ad revenue Huge	Generating ad revenue Considerable	Generating ad revenue Minor	Generating ad revenue Negligible	Generating ad revenue N/A

Any other issues (please specify)?

4. How would you rate the importance of the following issues facing DISTRIBUTION AGENCIES & SYNDICATES, in moving online (please rank in order of importance)?

	Huge	Considerable	Minor	Negligible	N/A
(maintaining) High sales commission percentages	*How would you rate the importance of the following issues facing DISTRIBUTION AGENCIES & SYNDICATES, in moving online (please rank in order of importance)? (maintaining) High sales commission percentages Huge	(maintaining) High sales commission percentages Considerable	(maintaining) High sales commission percentages Minor	(maintaining) High sales commission percentages Negligible	(maintaining) High sales commission percentages N/A
Free/low cost online content	Free/low cost online content Huge	Free/low cost online content Considerable	Free/low cost online content Minor	Free/low cost online content Negligible	Free/low cost online content N/A
Competing/differentiating in a saturated market	Competing/differentiating in a saturated market Huge	Competing/differentiating in a saturated market Considerable	Competing/differentiating in a saturated market Minor	Competing/differentiating in a saturated market Negligible	Competing/differentiating in a saturated market N/A
Low content purchase/commission rates	Low content purchase/commission rates Huge	Low content purchase/commission rates Considerable	Low content purchase/commission rates Minor	Low content purchase/commission rates Negligible	Low content purchase/commission rates N/A
Self-publishing	Self-publishing Huge	Self-publishing Considerable	Self-publishing Minor	Self-publishing Negligible	Self-publishing N/A

Any other issues (please specify)?

5. To what extend do you think creatives and publishers could benefit from a new content distribution service for monetising engaging content (eg. political cartoons, comic strips, and puzzles)?

To what extend do you think creatives and publishers could benefit from a new content distribution service for monetising engaging content (eg. political cartoons, comic strips, and puzzles)? Greatly

Slightly

Not at all

Reason for choice / any comments?

6. Can you please suggest any people or organisations with whom it might be worth us talking about this project (eg. Artists, publishers, editors, publishing/artist agencies/syndicates)?

Can you please suggest any people or organisations with whom it might be worth us talking about this project (eg. Artists, publishers, editors, publishing/artist agencies/syndicates)?

7. Can you please suggest any examples of good content distribution models that we should review (any suggestions from any sectors welcome)?

Can you please suggest any examples of good content distribution models that we should review (any suggestions from any sectors welcome)?

8. In which areas do you foresee commercial opportunities for creators of engaging content, over the next few years?

	Huge	Considerable	Minor	Negligible	N/A
Web	*In which areas do you foresee commercial opportunities for creators of engaging content, over the next few years? Web Huge	Web Considerable	Web Minor	Web Negligible	Web N/A
Mobile	Mobile Huge	Mobile Considerable	Mobile Minor	Mobile Negligible	Mobile N/A
Tablets	Tablets Huge	Tablets Considerable	Tablets Minor	Tablets Negligible	Tablets N/A
Large-scale print (eg. newspapers/magazines)	Large-scale print (eg. newspapers/magazines) Huge	Large-scale print (eg. newspapers/magazines) Considerable	Large-scale print (eg. newspapers/magazines) Minor	Large-scale print (eg. newspapers/magazines) Negligible	Large-scale print (eg. newspapers/magazines) N/A
Short-run print (eg. individual print sales)	Short-run print (eg. individual print sales) Huge	Short-run print (eg. individual print sales) Considerable	Short-run print (eg. individual print sales) Minor	Short-run print (eg. individual print sales) Negligible	Short-run print (eg. individual print sales) N/A
Global distribution	Global distribution Huge	Global distribution Considerable	Global distribution Minor	Global distribution Negligible	Global distribution N/A
Local distribution	Local distribution Huge	Local distribution Considerable	Local distribution Minor	Local distribution Negligible	Local distribution N/A
Niche distribution (eg. special interest)	Niche distribution (eg. special interest) Huge	Niche distribution (eg. special interest) Considerable	Niche distribution (eg. special interest) Minor	Niche distribution (eg. special interest) Negligible	Niche distribution (eg. special interest) N/A

Any others platforms, regions, etc. you think will be important?

9. Please add any further comments relating to the distribution and publication of creative content.

Please add any further comments relating to the distribution and publication of creative content.

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